Killswitch Engage, August Burns Red & Light The Torch outing postponed

Killswitch Engage’s spring tour with August Burns Red and Light The Torch has been officially postponed.

KsE write:

Folks,

We have an unfortunate announcement to make, though we suspect most of you won’t be surprised. The rest of the dates on our current Atonement US headline tour with August Burns Red and Light The Torch have now officially been postponed. With all the bans being imposed on gatherings and all the health concerns involved, there was simply no way around it.

There’s nothing we enjoy more than playing for our fans, and if the first two shows of this tour were any indication, this was going to be one of the most fun tours we’ve ever had.

That said, these shows are not canceled, they are postponed. We definitely plan on coming back soon to play for all of you. For now, please hold onto your tickets. As soon as we have all of the rescheduled dates we will let you all know.

As always, thanks so much for your continued support. We couldn’t do this without you. We are grateful.

Please take care of yourselves.

With much love,

KsE

Dates affected include:

Mar. 13 – Philadelphia, PA – Franklin Music Hall
Mar. 14 – Silver Spring, MD – Fillmore
Mar. 15 – Raleigh, NC – Ritz
Mar. 17 – Atlanta, GA – Tabernacle
Mar. 18 – Orlando, FL – House of Blues
Mar. 20 – Dallas, TX – Southside Ballroom
Mar. 21 – Houston, TX – House of Blues
Mar. 21 – San Antonio, TX – Vibes
Mar. 23 – Tempe, AZ – The Marquee
Mar. 24 – Los Angeles, CA – The Wiltern
Mar. 25 – Riverside, CA – Municipal Auditorium
Mar. 26 – San Francisco, CA – Warfield
Mar. 28 – Seattle, WA – Showbox Sodo
Mar. 29 – Boise, ID – Revolution
Mar. 31 – Salt Lake CIty, UT – Complex
Apr. 1 – Denver, CO – Fillmore
Apr. 3 – Minneapolis, MN – Fillmore
Apr. 4 – Chicago, IL – Radius
Apr. 5 – Detroit, MI – Fillmore
Apr. 6 – Toronto, ON – Rebel
Apr. 8 – Montreal, QC – MTelus
Apr. 10 – Portland, ME – State Theatre
Apr. 11 – New York, NY – Terminal 5
Apr. 12 – Boston, MA – House of Blues

Top photo by Lina Glasir

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